Editorial Portfolio

Watching Shenseea's ascension has been so surreal. As both a fan of the artist and dancehall music, I've been excited at the prospects as it relates to how she continues to contour her career but a...

For Variety I wrote about the need Afro-Caribbean filmmakers, and filmmakers with Caribbean heritage, have of seeing a more expansive view of Blackness on screen. Sade Clacken Joseph, Robert A. May...

We deserve so much more from The Grammys. For R29 Unbothered, I wrote about how reggae, dancehall and other Black music genres have been handled by the institution and why we need to look beyond th...

In my latest for Audiomack, I spoke with BAKERSTEEZ about his new project ACTIVE and what his artistry brings to the fore of Jamaica’s music culture. BAKERSTEEZ is part of a collection of artists f...

In my debut for CityLab, I wrote about the proposed $6.3 million dollar feat to rename Dundas Street and its city properties and how that money would be much better spent improving the material rea...

For my KIND Magazine debut, I had the opportunity to write the introduction for the 'Welcome to Little Jamaica' story on artists who trace their roots and heritage to Little Jamaica, with photograp...

It's always a pleasure to write for Kinfolk and for its latest 10th anniversary issue, I was invited to speak with Kevin Abstract about his music, discovering self and his own perceptions of his cu...

For my New York Times debut, I spoke with a few revellers about how they navigated a year without carnival in a co-authored piece part of the larger 'Carnival in Winter' editorial package. https://...